Showing posts with label Melbourne Fringe Festival. Show all posts
Showing posts with label Melbourne Fringe Festival. Show all posts

Monday, August 22, 2011

So Blue, So Calm



Mutation Theatre Presents

As part of the 2011 Melbourne Fringe Festival

So Blue, So Calm




Written and Directed by Patrick McCarthy
Devised and Performed by Matthew Epps and James Tresise
Designed by Ashlee Hughes and Patrick McCarthy
Lighting Design by Sam Mackie
Dramaturgical Support/Mentorship Angus Cerini and Robert Reid
Production Manager Bek Berger 

Check out the So Blue, So Calm Trailer

In a dream-like suburban backyard, two young men contemplate the state of the world and their place within it. Multi-award winning company Mutation Theatre (The Arrival, Habitat) present an intimate new work exploring happiness, masculinity, and the nature of coexistence. 

A gentle and delicate conversation about everything and nothing, So Blue, So Calm exposes the dreams, anxieties, desires and realities of two young men trying to connect in a brief corridor of time and space.

After winning the People's Choice Award and Theatre Works Award at the 2010 Melbourne Fringe Festival, Mutation Theatre are proud to be presenting So Blue, So Calm as part of Melbourne Fringe 2011.

This production will be the first work created and performed in the company’s beautiful new theatre space in Collingwood. 

So Blue, So Calm was developed during Mutation Theatre's time as the first Company in Residence at the MTC's Lawler Studio in June 2011.


"It was as if I suddenly stumbled off the street to find a tiny piece of paradise waiting to comfort me. James Tresise and Matthew Epps transport the audience through an honest and sensitive collection of stories, questions and thought...Tresise and Epps both have a vulnerable quality about them as they lure you into their lazy afternoon in the backyard...Patrick McCathy has crafted a beautiful piece of theatre. It is gentle, raw, heartfelt, exposing - And what a glorious set design!...I found myself thinking about personal memories; ones I hadn’t thought of in years...Time stands still; and has never felt so inviting. You feel a sense of freedom to the soul, listening to conversations and expressions of wonder, heartbreak and happiness."- AussieTheatre.com


"Mutation Theatre's So Blue So Calm is a low key, reflective theatre...Patrick McCarthy's promising script floats through memory and probes labile emotional territory...An ephemeral piece, it creates a quiet sense of male bonding stripped of homo-eroticism. Matthew Epps and James Tresise achieve a winning chemistry. They're both fine actors...a charming show."- The Age 


"This is a study in distance...beautifully designed by Ashlee Hughes and Patrick McCarthy...So Blue, So Calm is very much a piece of its time...this is an attempt, stricter than most, perhaps more self-conscious, to provide an index of the moment, to be present, somehow, now. That is to say, with it’s overt references to Beckett, Grotowski and Ranters inter alia, this piece attempts to connect the tradition, or a tradition, with its own moment, to make the tradition present for the present. A study of presence conducted at a distance. It is the great Eastern problem of philosophy, is it not?"- Andrew Fuhrmann (Neandellus)


"It’s like I’m sitting on a cushiony wedge of sun in the audience of So Blue, So Calm. It’s dark and cold outside, and I can hear a lonely weeknight tram rattling past, but I’m not there – I’m in Mutation Theatre’s backyard. I’m sprawled out on a lawn, in on a secret conversation between two guys I’ve never met before but I feel like I’ve always known...you are washed in the warm glow of the performance...Here are two characters breathing the thoughts of the essential twentysomething male, not in hyperboles or terror, but off the cuff and funny. In this one-hour slice of a lazy, utopian afternoon, we get an equally funny and heartbreakingly wistful conversation – and we feel lucky that we’re in on it...Transcendental."- Express Media


"FOUR STARS. Mutation Theatre continue to demonstrate their sensitivity and craftsmanship...(So Blue, So Calm) is good for its exceptional performances, and the contemplative simplicity of its writing. McCarthy has grafted the cadences of what is not simply a conversation, but an interaction, between two young men superbly...In sporting terms, they’re seeing this play like a watermelon; or, as Tresise actually does at one point, they have it on a string...a beautiful and extraordinarily well-made production"- Melbourne Fringe Reviews.


Season Details
September 27th - October 8th 2011
Tues-Sat 8pm

Mutation Theatre
294 Smith St, Collingwood
Enter through Travellers Bookstore

Adult $20
Conc $15

                 Fringe Tix- 03 9660 9666



Developed with the support of:


Production Shots- Photo's by Sarah Walker (click to enlarge):









































Monday, December 27, 2010

The Arrival and the ASRC

We are very proud to announce that our production of Shaun Tan's The Arrival in the 2010 Melbourne Fringe Festival has raised $3,286.55 for the Asylum Seeker Resource Centre in Melbourne.



The ASRC is an incredible organisation that is the leading provider of aid, healthcare and advocacy to asylum seekers in Australia.

These funds are enough to fund the ASRC's Community Meals Program for over three months!

The Arrival had a hugely successful season, receiving both the People's Choice Award and the TheatreWorks Award at the Melbourne Fringe Awards Ceremony. It was described by The Australian and Theatre Notes critic Alison Croggon as "an ambitious piece of physical theatre that is often completely enchanting".

Thank you to everyone who worked on and supported The Arrival, and to everyone who came to see the show and supported the cause.

Visit our website again soon for news about Mutation Theatre's plans for 2011.

Sunday, November 7, 2010

Fringe Wrap-Up

Mutation Theatre presented two shows as part of the 2010 Melbourne Fringe Festival: The Arrival and These are the Isolate.

Both shows had fantastic seasons, and received glowing praise from both audiences and critics. You can read reviews for both shows by following the links above.

We're also very pleased to announce that we received three Melbourne Fringe Awards: The People's Choice Award (The Arrival), The Victorian Writer's Centre Award for Best Emerging Playwright (Katy Warner for These are the Isolate) and the Theatre Works Award (both shows).

Thanks to everyone who came to see our work, we had a blast.

We'd also like to congratulate our good friends Grit Theatre on winning Best Performance and the PACT Award for their work Us.

Stay tuned for more Mutation Theatre news soon.

Saturday, August 28, 2010

New Shows: The Arrival and These are the Isolate

Mutation Theatre will be presenting two shows as part of the 2010 Melbourne Fringe Festival.
THE ARRIVAL



Based on the picture book by Shaun Tan

Directed by Sam Mackie and Patrick McCarthy

Performed by Shae Cottrell, Ayla Erdogan, Mel Gleeson, Lucinda Graff, Matilda Heggie, Alex Hipwell, Christy Hochegger, Mitch Holland, Luke Howle, Bart Mangan, Abby McCarthy, Kieran McGrath, Elizabeth Moroney, Mikey Nedelko, Jackson Rouse, Lloyd Simmons, Jackson Thornton, James Troutbeck and Jess Zintschenko.

In the ruins of a circus tent, a troupe of actors gather to tell the story of an asylum seekers journey to a new country. Based on the multi-award winning picture book by Australian illustrator Shaun Tan, The Arrival is a new, large-scale theatrical work from acclaimed independent company Mutation Theatre.
The Arrival tells the story of a man who travels from his oppressive homeland, leaving his wife and child behind, to find a new life for them in a far away country. It is a captivating and heartfelt tale about the journey of an asylum seeker, and the challenges they face after arriving in a new country.

Directed by Sam Mackie and Patrick McCarthy, The Arrival will be presented as part of the 2010 Melbourne Fringe Festival and performed in the atmospheric Shed 4 in Docklands. Featuring a cast of twenty, supported by four projection screens, haunting lighting and an eclectic soundtrack; this show will be a sensory feast for audiences. Performed in the round, the show features large scale projections of images from Tan’s book.

All proceeds from The Arrival will be donated to the Asylum Seeker Resource Centre in Melbourne, an amazing organisation that provides support to asylum seekers trying to reach Australia, in detention centres, and settling in the community.

Performance Details
22nd-26th September 2010
Wed-Sat 7.30pm, Sun 4pm

Shed 4
North Wharf Rd, Docklands
(Get train to Southern Cross, walk around other side of Etihad Stadium and walk out along the wharf on the left)

Tickets: Adult $20 Concession $15
All ticket sales donated to Asylum Seeker Resource Centre in Melbourne

Bookings: Call- 9660 9666

THESE ARE THE ISOLATE
Written by Katy Warner
Performed by Tim Wotherspoon and Katy Warner

Ed McCallister is a happily married man who is neither happy nor married. When overlooked for a promotion at work he returns home to find a woman, possibly his wife, setting up an elaborate suicide machine…all he wanted was someone to remember his birthday.
A collaboration between Mutation Theatre’s associate directors Katy Warner and Tim Wotherspoon, These are the isolate is an unsettling, darkly humorous and tragic tale of the destruction of isolation.
Since 2008, Mutation Theatre has been creating contemporary, experimental work. These are the isolate is their fifth full length piece following Fluorescent Façade (2008), The Corpse of Hamlet (2009), Habitat (2010) and Prelude to a Cottage (2010).
"Intense, unsettling and in every way exceptional"- Express Media (on Fluorescent Façade)
"Assured, composed, relaxed and engaging...the overall effect is one of impressive craftsmanship"- Neandellus (on Habitat)
Performance Details
24th September- 9th October 2010
Tues-Sat 8.45pm, Sun 7.45pm
Fringe Hub- Upstairs at Errol's Cafe.
69 Errol St, North Melbourne(opposite Nth Melb Town Hall)
Adult- $18.00
Conc- $14.00
Tightarse Tues- $12.00
2 for 1 tickets on Friday 24th of September and Saturday 2nd of October.
Bookings: Festival Tix- 03 9660 9666

Sunday, December 13, 2009

Fluorescent Facade: Howard Arkley and Suburbia

Mutation Theatre's first production, Fluorescent Facade: Howard Arkley and Suburbia, was presented from the 23rd-27th of September, 2008. It was performed as part of the 2008 Melbourne Fringe Festival.

Fluorescent Facade: Howard Arkley and Suburbia




Written and Performed by Patrick McCarthy
Directed by Louise Daly


"It's where 95% of Australian's actually live"- Howard Arkley on Suburbia

Howard Arkley, one of Australia's greatest artists, was made famous by his psychedelic paintings of Australian Suburbia. In 1999 he was found dead, from a heroin overdose, in his Oakleigh studio. This powerful solo performance takes you inside the mind of the troubled Melbourne artist, and explores the events that lead to his fascination with suburbia.

Be taken into Arkley's Suburbia, and hear the stories of those who may have lived behind the dark windows of his fluorescent houses.

Patrick McCarthy transforms from Arkley himself, to a variety of characters that will make you laugh, break your heart, and then invite you inside for a cup of tea.


2008 Melbourne Dramatists New Writing Award- High Commendation


"Strolling past some of Melbourne’s proudest preservations of the adorned Victorian terrace tradition on route to St Martins Theatre, I’m unsure of just how fluorescently Howard Arkley’s Surrey Hills suburbia will glow in the middle of South Yarra. Inside the intimate black box theatre, a solitary chair – quaintly airbrushed to an Arkley-esque colour scheme – and an unassuming projection screen go no further to reveal how a one man performance, anticipated tonight by a full house, might present the life-story of one of Australia’s most important painters and the “spirit” of one of its most intriguing cultural traditions. The response to this meditation, quite simply: Patrick McCarthy is how...

…The precision with which McCarthy juggles his complicated procession of personas is in itself a feat, yet undeniably, it is in the role of Arkley that he truly thrives…Evidently the subject was well studied - Arkley’s quavering, yet intense speech, jittery hunch and overall fragility are crafted meticulously – yet the achievement well surpasses skilled imitation. McCarthy plays Arkley desperately, as though there could be life staked on it. The young actor’s authoritative transformation into the neurotic and consumed artist is intense, unsettling and in every way exceptional…an exceptionally acted performance from a talented young actor, who makes the humble fly-screen door glow in a new light and the streets of South Yarra pale to an unaccustomed dullness"
-Express Media/Buzzcuts


"an absorbing melee of malevolence, humour and spiritual bliss...a remarkable young Australian talent"- Art Monthly Magazine